
The movie tells the daily life of Copeland emphasising on her role as one of the first African-American female soloists to present what Mekado Murphy of The New York Times describes as the process of the dancer.
The movie tells the daily life of Copeland emphasising on her role as one of the first African-American female soloists to present what Mekado Murphy of The New York Times describes as the process of the dancer.
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